La Rentrée

I have always sympathized with the French fuss over “La Rentrée,” that moment when the country returns to the city and school and work life is revived after the communal August vacation. For me, still a student at heart, the smell of new school supplies and Earth, Wind & Fire’s “September” say “It begins again” better than champagne bubbles. Though Italy runs off for its … Continue reading La Rentrée

Dead-End Clichés

When I moved to Italy in the late 1980s, the differences between my new home and America were many and often distinct. In general, “Italian” meant slow, entrenched, anti-competitive and protectionist while “American” meant fast, flexible and vigorous. America was the home of a culture built from innovation and competition. But things have changed. These days, Italy is often more American than America. Starting with … Continue reading Dead-End Clichés

A Father’s Sense

Yes, yes, I know that I missed the deadline for reflections about my father. But as I reflect on the current “campus rape crisis” and wonder how to discuss it with my two college-age children, my father’s words keep coming back to me. Dad was an old-fashioned doctor whose patients loved him because he listened to them. He enjoyed absorbing long medical histories, which no … Continue reading A Father’s Sense

Le Meraviglie (The Wonders)

With story about a quirky, bee-keeping family getting by in a crumbling farmhouse in rural Tuscany, a maturing young girl (played by Alice’s sister Alba) and the arrival of a juvenile delinquent with communication problems, Alice Rohrwacher’s “Le Meraviglie,” which won the Grand Prix at this year’s film festival in Cannes, promises hopefulness. Instead, menace and suspense abound. Something feels bound to explode. The anger … Continue reading Le Meraviglie (The Wonders)

Maps to the Stars

Seeing a David Cronenberg movie always comes with trepidation. The Canadian director’s ongoing investigation into whether emotional or physical violence is the most hurtful can tip easily into excess. The bare bones of “Maps to the Stars” hint at such excess early one, when scarred pyromaniac Agatha (Mia Wasikowska) returns to Los Angeles to reconnect with her estranged family. We don’t need details to suspect … Continue reading Maps to the Stars